Guest blog by Phiip Grant
While Brent’s Planning Committee were approving more big development
schemes on Wednesday evening (see Martin’s “Public denied access …” blog
below), a party to celebrate 60 years of TV production at the Wembley Park
Studios was taking place nearby. I was lucky enough to be invited, as a (very
minor) contributor of material to a film about the history of the studios,
which was shown as part of the farewell gathering of staff and television
people who had worked there over the years.
Martin broke the news in January that the studios had been sold to
Quintain LINK . Like other TV facilities in London before it,
rising property prices had made Fountain Studios more valuable as a
redevelopment site, despite being a popular and profitable venue for
independent production companies to make their programmes. Before it is
forgotten, I would like to share some of the studio’s story with you.
After the British Empire Exhibition closed in 1925, new uses had to be
found for its huge site and the numerous reinforced concrete buildings it
contained. Cinema was a fast-growing business, and some of its leading lights
suggested that the 13-acre Palace of Engineering or slightly smaller Palace of
Industry should be converted to film studios, as Britain’s “Hollywood”.
Eventually, in 1928, it was the former Lucullus Restaurant, the BEE’s poshest eating place, where dinner for two (at 25/- a head) cost as much as the weekly wage of the labourers who constructed the building, which became the studios for British Talking Pictures Ltd.
Eventually, in 1928, it was the former Lucullus Restaurant, the BEE’s poshest eating place, where dinner for two (at 25/- a head) cost as much as the weekly wage of the labourers who constructed the building, which became the studios for British Talking Pictures Ltd.
By the 1930’s, the Wembley Park Studios had been taken over by (20th
Century) Fox Films. As part of laws to protect the British film industry from
American competition, they had to make as many films here as they imported, so
Wembley turned out one low-budget “B” movie drama every three weeks. These
“quota quickies” provided a start in films for many British actors and actresses
who would go on to become famous, and even win “Oscars”.
After being requisitioned during the Second World War for making Army
and RAF training films, a small number of independent films were made here up
to 1954. By that time television was the big new source of entertainment, and
the start of Independent Television saw the studios converted to be the
production centre for the London region’s weekday ITV channel, Associated-Rediffusion,
which went on air from Wembley Park in September 1955. The old building had
enough room for four small TV studios, but something bigger was soon needed,
and Studio 5, the largest purpose-built TV studio in Europe, opened in 1960.
Apart from two short periods in the 1970’s and 1980’s when the studios
were unoccupied, and seven years in between when they were mainly used for
feature films again (including The Elephant Man, Quadrophenia and Time
Bandits), Wembley Park has produced top quality TV programmes. If you have
watched television during the past 60 years, you will almost certainly have
seen some of them, even though you may not have known they were made locally.
If drama is your thing, the detective series “No Hiding Place” or period
saga “Upstairs, Downstairs” were filmed here, as well as a famous 1960’s
production of Shakespeare’s “A Midsummer Night’s Dream” (with Benny Hill as Bottom).
Britain’s first quiz programmes with cash prizes, “Take Your Pick” and “Double
Your Money” were made here, as were the first series of the mega money doubling
show, “Who wants to be a Millionaire?” Older fans of popular music will
remember “Ready, Steady, Go!” (yes, I was a teenager in the 1960’s), while
younger readers may recognise “The Word” and MTV’s “Unplugged”, all made at
Wembley Park.
Comedy series that were filmed at our local studios include “On the
Buses”, and Wembley’s own stellar TV family “The Kumars” (at No. 42). Satire
has also featured on the production schedules over the years, from “The Frost
Report” (including Ronnie Barker, Ronnie Corbett and John Cleese) to “The Day
Today” (an early outing for Steve Coogan), along with “Bremner, Bird and
Fortune” and the early years of “Have I Got News For You”. But in more recent
years it has been the big light entertainment shows, which make good use of the
studio’s huge size, which have dominated the output of what became Fountain
Studios in 1993, including “Pop Idol”, “The Cube” and “Britain’s Got Talent”.
Fountain Studios literally had “The X Factor”, and the 2016 live
semi-final on 4 December was the last programme ever to be filmed there. Its
closure means the loss of a number of highly skilled technicians’ jobs, a loss of
business for the nearby shops and restaurants which served those making the TV
shows and the audiences who came to watch them, and the loss of a special place
with an almost 90-year history of producing films and TV programmes in Wembley
Park. Joni Mitchell was right when she sang ‘you don’t know what you’ve got
till it’s gone’ (showing my age again!). Perhaps the site will become a
“parking lot” for a few years, then Quintain will probably put up more blocks
of flats, to add to Wembley’s new “City of Concrete”.
To mark the passing of Wembley Park Studios, I will be giving an
illustrated talk about its history on 20 January 2017. Watch out for more
details in the New Year, if you would be interested in coming along, and please
feel free to add any memories you have of the studios in the “Comments” section
below.
Philip Grant
Thanks Phillip.
ReplyDeleteThanks for this clear history, Philip.
ReplyDeleteThis sell-off comes at a time when there are reports that the market for luxury developments is vanishing, whereas much of what has hitherto come out of those studios has 'borne the test of time' as well as given professionals a start to glittering careers; and the studio has boosted local trade; all as you report.
Those features -- especially boosting local trade -- should surely feature in the remit of a local authority, in my opinion.
Alan Wheatley
Fabulous, Philip! Thanks. Hadn't even heard of Fountain Studios, so a nice history lesson for me.
ReplyDeleteHow about a TV show for the 21st Century entitled 'Who wants to be an affordable housing tenant?'
ReplyDeleteAlan Wheatley