APR 16
- 7.30PM - BAPTIST CHURCH HALL, COLLEGE ROAD HARROW
HA1 3BA
'Rouse Ye Women' tells the remarkable story of Mary Macarthur and the women chainmakers of Cradley Heath. Who led by the charismatic union campaigner Mary Macarthur managed to more than double their earnings and establish the principle of a national minimum wage.
A new folk ballad by Neil Gore and John Kirkpatrick
telling the true story of Mary Macarthur and the women chainmakers
Townsend
Theatre Productions is delighted to announce its cast for the world premiere
of Rouse, Ye Women!, a new folk ballad telling the true story of Mary
Macarthur and the women chainmakers.
The
role of trade unionist and strike leader Mary Macarthur will be performed by
Scottish folk singer Bryony Purdue. Purdue is an outstandingly versatile and
charismatic performer and has sung with UK Opera companies Opera GlassWorks,
Longborough Festival Opera and touring ensembles VoxCollective and
Transatlantic Ensemble.
Folk
singer Rowan Godel will play chainmaker Bird. Godel is a rising star in the
music world and has worked extensively with some of the biggest names in folk,
including Oysterband (duetting with John Jones on Street of Dreams, Spirit of
Dust and more ), The Levellers and Ray Cooper.
The
company has collaborated with folk legend John Kirkpatrick to write original
music which will take audiences through the true story of Macarthur and the
chainmakers’ fight for justice.
Women
chainmakers in the Black Country in the 1900s started work at the forge as
children and spent their entire lives making chains. These women had no vote,
were largely illiterate, worked a 54-hour week for ‘starvation wages’, and had
to take their children to work.
But in
the Autumn of 1910 hundreds of women chainmakers of Cradley Heath held a
ten-week strike against their employers. Led by the remarkable trade union
organiser and campaigner Mary Macarthur, they won a minimum wage which doubled
their incomes.
More
importantly, they returned to work confident in the knowledge that by sticking
together in a union they could stand up to the chain masters and companies.
The
strike was a prelude to the ‘Great Unrest’ of industrial action that swept
Britain in 1911, and led to a landmark victory for a fair wage, changing the
lives of thousands of workers, whilst proving their economic power.
‘Rouse,
Ye Women!’ is a folk-song opera that tells the story of Mary Macarthur and the
chainmakers, and shares the story of the lives of the workers and campaigners
through rousing, heartfelt traditional song and music.
Bryony
Purdue said: “I am delighted to be playing Mary Macarthur. She’s a strong
woman, a Scot and an incredible person to read about - even more so with the
approach being that of someone trying to glean what she was like in order to do
her true character justice. This combined with singing in this original
production and especially alongside Rowan will just be a real adventure. I
couldn’t be more pleased and cannot wait to share a rehearsal room and stage
with this wonderful story and group of such talented creative people.”
Rowan
Godel said: “Mary MacArthur and the Chainmakers Strike of 1910 is one of many
barely remembered stories about the working conditions and pay of women in the
early 20th century. Along with the generally poor pay and conditions
of all workers, women chainmakers often earned less than half the amount of men
doing the same work.
“I will
be playing the part of “Bird” - one such chainmaker working in these appalling
conditions. Through her story, I hope to convey something of the struggle faced
by these women and their strength and courage in standing up to their
exploitative employers, using the power of organised union strike action. The
relationship between bosses and workers was changed forever by the collective
action of these brave, strong women and their story provides us with a powerful
socio-historical context for understanding issues of poverty, gender,
discrimination and slavery today. Their voices need to be heard again and am
hugely excited to be a part of this production.”
Director
Louise Townsend said: “The focus of the production is not just the massive
achievement of the women chainmakers in their fight for better wages, but also
how Mary Macarthur and the National Federation of Women Workers, of which she
was a founding member, sought to challenge the prevailing view that women made
poor trade unionists, were a threat to male employment and wages, and were
generally un-organisable.
“Mary
Macarthur herself wanted trade unions to educate women workers to be better citizens,
empower them to demand more from life and gain fair treatment as workers; to
ensure that women can be an effective force within the trade union movement to
strengthen the position of the entire industrial working class.
“Through
this production we will aim to draw parallels with the inequalities in the
lives of women just over a hundred years ago with modern issues of family life,
low pay, the minimum wage, the gender pay gap and equality of opportunity.”