Showing posts with label Tricycle Theatre. Show all posts
Showing posts with label Tricycle Theatre. Show all posts

Sunday 10 August 2014

Tricycle audience reject criticism of the theatre management

Last night at the Tricycle Theatre in Kilburn two audience members stood up just as the perfomance was about to begin.

According to others present one of them said, "I apologise for interrupting but with the recent actions of the Tricycle Theatre we are boycotting this performance."

To my source's amazement, the whole theatre spontaneously responded with loud shouts of, "Go, go, get out." One woman was heard to say, "Let's hope no children were killed today."

 

Friday 8 August 2014

Local backing for Tricycle Theatre in Film Festival row




As the debate over the Tricycle Theatre's decision to boycott official Israeli funding for the UK Jewish Film Festival reaches the national media, local people have expressed their support for the Tricycle's decision.

The following letter was published in the Guardian today:
-->
The London borough of Brent is one of the most diverse and tolerant parts of the UK, with a rich cultural heritage compromising many  ethnicities and religions, including the Jewish faith. As local  residents, we can say that the Tricycle Theatre, whose cinematic and  theatrical repertoire is broad and inclusive, reflects this diversity,  demonstrated by 8 years of hosting the UK Jewish Film Festival, as well  as works on Palestine by comedian Mark Thomas, and works by MUJU, the  Muslim-Jewish theatre company.

We support the Tricycle Theatre’s decision to refuse funding from the  Israeli Embassy, the UK representative of a state currently involved in  war crimes and potential genocide in the Occupied Palestinian  Territories. As the theatre has already offered to help find an  alternative sponsor, we hope this is not the end of the festival as your  article suggests. The theatre’s position cannot be construed as  anti-Semitic, anti-Jewish or political but is instead a cultural boycott  of a belligerent sponsor.

Martin Francis, Brent and Harrow Palestine Solidarity Campaign
 Sheila Robin, Jews for Justice for Palestinians
Aisha Maniar, London Guantánamo Campaign
Meanwhile an on-line poll on the Kilburn Times website LINK currently has 70% of respondents supporting the Tricycle's position, 29% against and 1% undecided.

Thursday 7 August 2014

Support for Tricycle Theatre amidst media storm

The decision of the Tricycle Theatre not to accept funding for the UK Jewish Film Festival from the Israeli Embassy or any organisation involved in the current conflict, has created great controversy in the local, national and international media.

Brent Council, who part fund the Tricycle put the following statement on its website yesterday:
In response to media reports regarding the Tricycle Theatre, the council has issued the following statement to clarify its position:
A Brent Council spokesperson, said: "The Council funds the Tricycle Theatre for core activities. This does not encompass decision making regarding the Theatre's creative output. Decisions made by the Theatre regarding additional special programmes and festivals are not a matter for the local authority."
Brent and Harrow Palestine Solidarity Campaign have asked local residents ansd activists to sign the following letter for the local press:
We, the undersigned, activists and local residents, support the decision of the Tricycle Theatre in Kilburn not to accept funding for the UK Jewish Film Festival (UKJFF) from the Israeli Embassy due to the ongoing war in Gaza. The theatre has hosted this film festival for the past eight years, and has a broad and inclusive repertoire that reflects its location in one of the most multi-ethnic and religiously pluralist parts of the country. Brent is also one of the most tolerant and diverse with a rich cultural heritage made up of people from various backgrounds. 

The theatre has decided not to “accept funding from any party to the current conflict” and has offered to provide funding with "money from our own resources". We hope that the chair of the festival will retract his decision to withdraw so that the UKJFF can go ahead at this venue, which remains at the cutting edge of artistic production in the UK, tackles a wide variety of issues and embraces many cultures and communities. The decision cannot be construed as anti-Semitic, anti-Jewish or political, but a cultural boycott of a party that currently stands accused of war crimes by the UN and potential genocide by other agencies. It is a humanitarian gesture that should be applauded and emulated elsewhere.
If you wish to sign the letter email: brent2harrowpsc@outlook.com

Tuesday 5 August 2014

Tricycle Theatre explains why they are not hosting the UK Jewish Film Festival

Controversy has broken out over the Tricycle Theatres's decision not to run the UK Jewish Film Festival while it is funded by any parties in the present conflict in Gaza.

Here is the statement issued on the Theatre's website:

‘We have been contacted by several patrons who have been given misleading information about the Tricycle and the UK Jewish Film Festival. We would like to set down an accurate account.
The Tricycle has always welcomed the Festival and wants it to go ahead. We have proudly hosted the UK Jewish Film Festival for many years. However, given the situation in Israel and Gaza, we do not believe that the festival should accept funding from any party to the current conflict.  For that reason, we asked the UK Jewish Film Festival to reconsider its sponsorship by the Israeli Embassy.  We also offered to replace that funding with money from our own resources. The Tricycle serves many communities and celebrates different cultures and through difficult, emotional times must aim for a place of political neutrality. 
We regret that, following discussions, the chair of the UKJFF told us that he wished to withdraw the festival from the Tricycle.  
To be clear, at this moment, the Tricycle would not accept sponsorship from any government agency involved in the conflict. We hope to find a way to work with the UK Jewish Film Festival to allow the festival to go ahead at the Tricycle as it has done so successfully for the past 8 years.’  Indhu Rubasingham

A comment from Nicholas Hytner:  ’I greatly regret the UKJFF’s decision to leave the Tricycle cinema. Indhu Rubasingham and the Tricycle board could not have made clearer their commitment to Jewish culture or their desire to host a festival that would have included films from all over the world, including Israel. It is entirely understandable that they felt obliged to insist that no government agency should sponsor the festival. The Tricycle serves a diverse community with a notably diverse repertoire and it has a clear responsibility to make no statement about the dispute that is behind the current conflict.
It greatly saddens me that the UKJFF have unwisely politicised a celebration of Jewish culture and I deplore any misrepresentation of the Tricycle’s position. I support Indhu Rubasingham and the Tricycle without reservation.’ 
A comment from Dominic Cooke: ‘The Tricycle is a venue with a history of celebrating plural cultures and viewpoints. A central strand of this work is the platform it has given to Jewish artists, a recent example of which was Indhu Rubasingham’s delightful production of Paper Dolls, which was set in Israel. The UK Jewish Film Festival is similarly plural in spirit, giving voice to a diverse range of Jewish talents and viewpoints.
As two organisations celebrating diversity, they seem to me to be a perfect match, which is why the UKJFF’s decision to withdraw from the Tricycle is so very sad.
By taking funding from the Israeli government, the UKJFF are coercing the artists, supporters and the venue involved in the festival into a public association with the actions of a government they may not agree with. This runs counter to the values of pluralism which are central to the Tricycle’s identity. That is why I fully support the Tricycle in their effort to encourage the UKJFF to accept their offer of alternative funding and hugely regret the Festival’s decision to force the theatre’s hand by withdrawing.’
A comment from Philip Himberg, Artistic Director, Sundance Theatre Program: ‘I am the Artistic Director of a major American theatre company, and the author of Paper Dolls, a play set in Israel, which looks at the warm and loving relationship between an Israeli citizen and his caretaker. The play’s world premiere was exquisitely produced by the Tricycle Theatre in its world premiere in 2013, and sensitively directed by Indhu Rubasingham. I believe, without a doubt, that as regards the current crisis in the Middle East, the Tricycle must remain neutral by refusing sponsorship from any government directly involved in the conflict. As a great lover of Jewish theatrical culture, (I will soon be supporting the development of a new Yiddish language opera), there was a clear way for the UKJFF’s celebration of diverse Jewish culture to go forward at the Tricycle – but at this particular moment in time, utilizing funds from any of the governments in power in the region would be taking an unfair political stand.’
A comment from David Lan: ‘What matters is not what is happening in Kilburn but what has been happening in Gaza and in Israel. Violence will only produce more violence – theatre has been saying this for 3000 years. The Tricycle have acted morally and with sensitivity. I support Indhu and the Board and hope that all theatre people throughout the world will do the same.’
A comment from Christopher Haydon: ‘It is wrong to describe the Tricycle’s decision as anti-Semitic – their commitment to Jewish people and culture is clear. Any arts organisation has the right to make decisions about who they will or will not accept money from – whether directly or indirectly. Personally, I feel very ambivalent about the whole notion of cultural boycotts – particularly around such a painfully complex issue as the Israeli-Palestinian conflict. But regardless, the Tricycle in no way tried to boycott the festival. A difference of principle around funding arose between them and the UKJFF. The Tricycle offered an entirely sensible alternative in good faith and have demonstrated a clear commitment to trying to make it happen. They have behaved reasonably and fairly and attempts by some to misrepresent their actions only serves to poison a vital debate. Indhu and her team have my full support.’
A comment from Sean Holmes: ‘Having directed many productions at the Tricycle I am writing to strongly support the Board’s decision regarding the UKJFF. It is important that the Tricycle remains politically neutral. It is a bastion of openness and tolerance and I regret the UKJFF’s decision to politicise the legitimate concerns of the Tricycle and refuse their offer of an eminently sensible compromise.’
A comment from Richard Eyre: ‘I wholeheartedly support the position of Indhu Rubasingham and the Tricycle Theatre and deplore any attempt to misrepresent that position.’
A comment from Dominic Hill: ‘The Tricycle is without doubt one of the most inclusive, multi-cultural, diverse and open-minded arts organisations in the UK. It must be, and be seen to be, politically neutral. I wholeheartedly support Indhu’s position.’
A comment from Dawn Walton: ‘The Tricycle is a space that has always delivered and supported work from a truly diverse community of artists. I support Indhu and the Board of the Tricycle Theatre for a position which seeks to maintain The Tricycle as a place of political neutrality. I support their sensitive approach in a challenging situation.’


Share on acebookShare on twitt

Wednesday 8 January 2014

Please donate to Brent CAB Winter Warmth Fund


Campaigns against the 'Big Six' energy companies and for the nationalisation of energy companies have taken off recently as the issue of fuel poverty becomes more dire. Essential if the long term problem is to be tackled.

Meanwhile there is an immediate need by some individuals and families for help with their fuel bills as they face the grim choice of whether to 'eat or heat'. Brent Citizens Advice Bureau and the Tricycle Theatre are again running their Winter Warmth Fund which is now in its fifth year. To date it has raised £14,469 plus £2,619.04 in Gift Aid.

The Fund has provided 101 awards for a total £13,714 to people receiving benefits, elderly people, people with disabilities and families with young chidren.

All payments are made direct to the utility suppliers to help reduce gas and electricity arrears.

Among the donations are those from better off pensioners who donate their Winter Fuel Allowance to those they consider worse off.

Cheques should be made payable to Brent Citizens' Advice Bureau (Winter Fuel) and sent to:

Brent Citizens' Advice Bureau,
270-272 High Road,
Willesden
London NW10 2EY






Thursday 10 May 2012

Nicolas Kent to receive Freedom of Brent honour

Nicolas Kent
The Honorary Freedom of the London Borough of Brent will be conferred on Nicolas Kent, the retiring director of the Tricycle Theatre at a special meeting of Brent Council on May 16th

Kent retired as a consequence of Arts Council, Local Council and Brent Council cuts to the theatre's budget. His decision received wide coverage and stimulated debate about the Coalition's attitude to the arts in general and its reliance on philanthropy rather than national and local government funding, as well as the role of the Tricycle Theatre in particular.

Brent Council's Minutes for its January meeting records Kent's swansong: on the Tricycle's contribution:
Nick Kent spoke to the meeting referring to having worked in the borough since 1984.  He expressed his love of Brent and his passion for the Tricycle Theatre.  The theatre was housed in a relatively small building but undertook many activities.  He stated that since 1984, 4.5 million people had visited the theatre as audiences, most of which were from the local area and over 36 million people from around the world had seen productions that had begun at the Tricycle Theatre.  This translated into audiences of around 185,000 a year with many dignitaries also visiting the theatre.  Nick Kent stated that the theatre employed 19 full time staff and 57 part time staff and 50% of the front of house staff came from Brent.  The work of the theatre was designed to promote community spirit and it was proud to represent the borough.  He felt the most important work the theatre undertook was with children and young people.  The Council grant last year of £218,000 was wholly spent on activities for young people and amounted to half the total cost of the programme.  The activities carried out each year involved about 40,000 children, with many being helped to learn English through drama and art.  Nick Kent stated that the theatre attracted £3.3 million into the area and given his role he had been asked by Brent and Camden Councils to get involved in the regeneration of the area and it had been a role he was proud to take on
 The report going before the Council for approval states:
Conferring the title of Honorary Freedom of the Borough is the highest honour that the Council can bestow and so should not be taken lightly. However, it is considered that the retirement of Nick Kent provides an excellent opportunity to celebrate his time at the Tricycle Theatre during which he has placed the theatre on the nation and international map out of proportion to its modest 235 seat size. One of the UK's longest serving and most respected artisticdirectors, he has run the theatre for 28 years and built it into a successful theatre known particularly for its political plays and culturally diverse work.

Sunday 16 October 2011

Oppose the Work Capability Assessment - meeting next week

People who used to receive disability benefits are reassessed by the infamous multinational company ATOS Health to see whether they can continues to receive these benefits or whether they are deemed 'fit to work'. The assessments are carried out by 'Health professionals' who may or may not be doctors but who are not required to have any specialised knowledge about the claimant's condition or disability. They ignore letters or other evidence from the claimant's GP, Hospital Consultant or other specialist. They use computer generated checklists and their aim appears to be to get as many claimants as possible off Employment Support Allowance and on to the lower Job Seekers Allowance, which can in turn be taken away from people who are not considered to be trying hard enough to find a job.

Understandably there is a high level of anxiety about these assessments. Ellenor Hutson is a specialist benefits adviser and will be running a workshop next week to provide people with an opportunity to meet others  in a similar situation to themselves, gain advice and support and feel empowered. 
 
The workshop is on Thursrday October 20th at  Foresters Hall (adjoining Tricycle Theatre)
269 Kilburn High Rd NW6 7JH
 
More information from kilburnunemployedworkers@gmail.com ; Telephone 07709 932 267; web http://kilburnunemployed.blogspot.com ; Facebook: Kilburn Unemployed Workers